A melting pot for fans, musicians, scholars, and journalists.
The annual Pop Conference at MoPOP, first held in 2002, mixes together ambitious music writing of every kind, in an attempt to bring academics, critics, musicians, and dedicated fans into a collective conversation.
SIGN O' THE TIMES: MUSIC AND POLITICS
APRIL 20–23, 2017 AT MoPOP
REGISTRATION OPEN NOW
Music tends to anticipate politics—young people give a dress rehearsal of what’s to come, building movements or prefiguring new worlds. No less powerfully, music is shaped by politics, from rules of copyright, drinking ages, and noise volumes to crises of war and social injustice, rents in the fabric. Music’s connection to politics goes beyond sloganizing lyrics; it organizes, stirs, performs possibility.
This year’s diverse presenters explore the intersection of music and politics on many levels, from torch songs about degradation to funky future fantasias, from Morrissey’s relationship to disability culture to the queer, Mexican icon Juan Gabriel.
In addition to Pop Con’s regular schedule, informal “soap box” talks will take place in Sky Church Saturday, April 22 in the afternoon. Please contact organizer Eric Weisbard to get involved.
$20 ($15 MoPOP members)
Register in advance! Price increase of $5 at the door.
In addition to conference admission, registration includes four days of access to all MoPOP galleries* (a $100 value), breakfast, and access to the keynote and reception**.
*Special exhibition pricing for Star Trek: Exploring New Worlds may apply.
**Keynote seating is first-come, first-served.
Questions? Email Pop_Conference@MoPOP.org.
Program Committee Members
José Anguiano (Cal State, Los Angeles); Sarah Dougher (Portland State University); Jasen Emmons (Museum of Pop Culture); Daniel Goldmark (Case Western Reserve University); writer, director, and activist dream hampton; Charles Hughes (Rhodes College); Tavia Nyong’o (Yale); Ann Powers (NPR); writer Laura Snapes; writer and music producer Andy Zax
About the Conference
The conference was held at MoPOP from 2002–2010, then traveled to UCLA in 2011; NYU in 2012; and simultaneously at USC, NYU, Rock and Roll Hall of Fame and Museum, Tulane University, and MoPOP in 2013; before returning to MoPOP as the sole venue in 2014. Three books of conference writing have been published: This Is Pop, Listen Again, and Pop When the World Falls Apart.